A Seasonal Countdown with Georgette Heyer

I collect vintage editions of Georgette Heyer’s novels, and in December – the season of sharing good things – I like to share my collection with other Heyer readers, and Twitter provides me with a great place to do so. While Twitter nowadays can be a fairly toxic environment, the online Heyer community is a warm and friendly place. So I have been tweeting a Georgette Heyer Advent Calendar as a thank you to my fellow Heyer-ites.

It’s very enjoyable. I choose a book each day, take out my vintage editions, snap a quick picture, draft a short summary, and post it on Twitter. Throughout the day Heyer readers reply. They comment on the choice of book, their views of particular characters, they discuss the plot, analyse the covers, advocate for their favourite supporting characters – the dialogue the Calendar inspires is absolutely splendid.

For this year’s Calendar, I started with Venetia, a great favourite among Heyer-ites. But Damarel divides opinion – some readers love him, and others really, really dislike him. Should Venetia have married him? Well it depends which reader you ask!

GHAC - Venetia

Venetia. This edition: Heinemann 1958.

Days 2 to 5 were Beauvallet, Sylvester, Sprig Muslin, and The Convenient Marriage. Two of these are particular favourites of mine – Sylvester and The Convenient Marriage – both of which have particularly engaging heroines in Phoebe and Horatia (and I adore the Earl of Rule!). And those Beauvallet covers are marvellous!

Day 6 involved The Masqueraders, which divides opinion. I don’t especially like it (I cannot bear The Old Gentleman), but I know people who adore it, and I wanted to share a lot of the books I knew others enjoy. Day 7 was Faro’s Daughter, and a number of people said they really must re-read it. I know I haven’t read it for years, so it has gone onto my To Be Read pile for 2020. Day 8 was Regency Buck. This book really does split the Heyer community – some readers really dislike Worth and Judith; others are very fond of them. This was my first Heyer, so I have a real soft spot for it. And I definitely like Worth.

Day 9 was Frederica. This book is absolutely adored by many Heyer fans. Rather than attempting to do justice to Heyer’s sparkling plot, I summed it up with humour: “Never leave your hot air balloon unattended. And make sure you have Dr Ratcliffe’s Restorative Pork Jelly to hand in case of injury or illness.”

GHAC - Frederica

Frederica: These editions: Bodley Head 1965, Book Club 1965.

Days 10 and 11 were The Quiet Gentleman and The Grand Sophy respectively. ‘Does Sophy’s conduct go “from bad to worse?” Is Cousin Charles a dictator? Is Eugenia a suitable bride for him? Or will Sophy disrupt the entire family?’ I asked.

And then on Day 12 I had a dilemma. Should I include My Lord John, Heyer’s longstanding, unfinished John of Lancaster project, published posthmously?  It’s not widely read, even by Heyer-ites, so was I wasting a day on an unpopular choice, so unlike her lighter novels that are so beloved? As her biographer Jane Aiken Hodge wrote, one of the problems with My Lord John was that ‘Heyer could not make her characters think like mediaeval people and, fatally, she could not make them talk like them either’. (The Private World of Georgette Heyer, p.76). And Jennifer Kloester noted, ‘In this book, Georgette had failed to wear her learning lightly’. (Georgette Heyer: Biography of a Bestseller, p.385).

GHAC - My Lord John

My Lord John. This edition: Bodley Head 1975.

It’s that learning that fascinates me: Heyer was a meticulous researcher. She went to enormous efforts to research My Lord John and this research was very important to her. Photographs of her notebooks intrigue me – her drawings of armour, of coats of arms, of maps. Her card indexes of materials relating to the project. Her efforts to read mediaeval English. I felt that the painstaking process of her research and her persistence in maintaining this project had to be acknowledged. So I included it.

I re-read Friday’s Child for the first time in years and laughed again at Ferdy, George and Gil (and disliked Sherry, but loved Hero) in preparation for Day 13. And I blundered on Day 14 with Devil’s Cub. My memory told me that Mary shot Vidal by mistake, and Heyer-ites kindly pointed out that my memory was at fault. As one reader tweeted: ‘She definitely means to do it’. Either way, Vidal definitely deserved it! And Powder and Patch gave readers a lot of pleasure on Day 15.

More enjoyment came with The Talisman Ring – another popular choice, largely due to the love readers have the heroine, Sarah Thane. I wish there was another novel about one of the secondary characters, Eustacie de Vauban – who provides lots of laughter. Day 17 was The Corinthian, and Day 18 brought These Old Shades. I have to confess to disliking These Old Shades – I don’t like the characters – but it’s very popular with other readers, so it had to be included. And both Day 17 and Day 18 provoked comments about the cover illustrations, and how faithful or otherwise they were to the plots.

I had a message from a Heyer reader expressing a wish for Cotillion so that came in on Day 19, and there was much love for Arabella on Day 20. Day 21 was reserved for An Infamous Army, which divided opinion. Was Heyer’s recounting of the Battle of Waterloo fascinating and informative, or was it to be rushed through to get on with the story? Was Barbara liked or loathed?

I had to include The Reluctant Widow on Day 22 – it’s the Heyer I have probably re-read the most because of my research into the 1950 film adaptation. It isn’t a favourite of mine, but it probably contains the most loved younger brother character in all of Heyer – the hilarious Nicky and his dog Bouncer. And Day 23 was Bath Tangle which provoked some strong reactions – Serena and Rotherham really aren’t popular!

So what of Day 24? Well, there’s only one choice really. It has to be The Unknown Ajax and the marvellous Hugo Darracott. “Hugo, how dare you call me love?” asks Anthea, but readers everywhere would give much to be in her shoes. If you haven’t read any Heyer, The Unknown Ajax is an ideal place to start. There is intrigue, family tension, mystery, humour, and love. And an absolutely ideal hero. Does anyone not love Hugo?

GHAC - The Unknown Ajax

The Unknown Ajax. This edition: Heinemann 1971.

It’s been lovely to read all the comments and discussions while I have been posting the Georgette Heyer Advent Calendar and sharing my collection. If you would like to have a look, you can find the 2019 Advent Calendar here on Twitter.

The Georgette Heyer community is a friendly place – so why not join us and tells us your favourite Heyer, your first Heyer, your most loved characters, and what Georgette Heyer means to you?

 

Georgette Heyer, Regency Buck and Admiral Lord Nelson

This post contains spoilers about Georgette Heyer’s Regency Buck.

Regency Buck Pan Paperbacks

A sewing session provides a perfect opportunity to get lost in a good audiobook. I have spent many happy hours listening to the novels of Georgette Heyer – the perfect sewing companion – and was delighted when, on 5 June, 2015, her childhood home, 103 Woodside in Wimbledon, London, was given a Blue Plaque by English Heritage.

Earlier this week I was listening to an old favourite – Regency Buck (1935). This was Georgette Heyer’s nineteenth book and the first set in the Regency period (1811-1820). It isn’t my favourite Heyer novel but I have a soft spot for it because it was the first of her novels I read. I love the strong heroine, Judith Taverner, who flouts convention by driving her curricle to Brighton in an unladylike race with her brother, takes snuff, battles against the restrictions places upon her by her guardian, and ensures that looking like a mere Dresden china miss is offset by a decided air of resolution in the curve of her mouth.

Regency Buck Hardback

While listening to Judith’s story unfold, I was stitching the Nelson Quilt. To my surprise I heard something I had never noticed before: daring, unconventional Judith Taverner has been an admirer of Admiral Lord Nelson since her childhood. And this admiration is used to signal the traits of a couple of her acquaintances. Firstly, it is clear that Judith’s uncle, Admiral Taverner, is going to turn out to be a bad sort:

To relieve the awkwardness of the moment she turned to the Admiral, and began talking to him of the Trafalgar action. He was pleased enough to tell it all to her, but his account, concerned as it was merely with his own doings upon that momentous day and interspersed with a great many oaths and coarse expressions, could be of little interest to her. She wanted to be hearing of Lord Nelson, who had naturally been the hero of her school-days. It was her uncle’s only merit in her eyes that he must actually have spoken with the great man, but she could not induce him to describe Nelson in any other than the meanest terms. He had not liked him, did not see that he could have been so very remarkable, never could understand what the women saw in him – a wispy fellow: nothing to look at, he gave her his word.

Pan Paperbacks: Regency Buck

Pan Paperbacks: Regency Buck

In contrast, the Duke of Clarence, a good humoured easygoing Prince known as the Royal Tar, has much to recommend him. He joins Judith on a phaeton ride around Hyde Park:

He was not at all difficult to talk to, and they had not driven more than half-way round the Park before Miss Taverner discovered him to have been a firm friend of Admiral Nelson. She was in a glow at once; he was very ready to talk to her of the admiral, and in this way they drove twice round the Park, extremely well pleased with each other.

I hadn’t picked up on the Nelson references in Regency Buck before. I probably wouldn’t have paid them much regard had it not been for the Nelson research I’ve been doing as part of the Nelson Quilt project.

The Nelson Quilt at 2,900 squares: 28 June 2015. 300 squares to go.

The Nelson Quilt at 2,900 squares: 28 June 2015 – 300 squares to go.

I now feel I know Judith Taverner a bit better – and I would bet that some of her flaunting of convention was inspired by Nelson himself. Given Judith’s habit of taking snuff, I imagine that she would have had a decorative box to carry with her such as this one, inscribed England expects every man to do his duty, which is in the collection of the National Maritime Museum, Greenwich. Or she may have had a commemorative pill box in her reticule:

Commemorative Nelson Pill Boxes on display at the National Museum of the Royal Navy, Portsmouth

Commemorative Nelson Pill Boxes on display at the   National Museum of the Royal Navy, Portsmouth

Georgette Heyer was a meticulous researcher and very knowledgeable about the period and people of whom she wrote, weaving real events and individuals into her narratives with great skill. Judith Taverner’s admiration of Nelson would have been no accident. I’m really pleased to have found it and understood its significance while working on my own Nelson project.

Georgette Heyer's Regency Buck: Adventure! Excitement! Romance!

Georgette Heyer’s Regency Buck:                           Adventure! Excitement! Romance!