A week later, I visited Osborne House (once the home of Queen Victoria) on the Isle of Wight in order to get some pictures of the quilt in a beautiful location that is particularly relevant to my Nelson project.
Thirteen months ago, I had the idea for the quilt when researching Maurice Elvey’s 1918 silent film biography of Nelson. I was reading contemporary reports about the making of the film and the locations used – Burnham Thorpe, Portsmouth, Southsea, Torquay. And the Royal Naval College Osborne, in the grounds of Osborne House.
The Royal Naval College Osborne was used by Maurice Elvey as the location for a highly fictionalised version of Nelson’s school days at the Royal Grammar School in Norwich. This was a very deliberate anachronism: the College opened in 1903 as a training school for young cadets who would spend an initial two years studying at Osborne before transferring to the Britannia Royal Naval College at Dartmouth (where Elvey would go on to make his 1939 film Sons of the Sea). By 1918, Osborne was known as “the cradle of the Navy” and so, when considering locations for his Nelson film, Elvey chose the patriotic symbolism of Osborne, where the young sailors of 1918 – who might aspire to be like Nelson – were being educated.
In Elvey’s film, the schoolboy Nelson was played by a talented young actor called Eric Barker. Barker makes a delightfully irreverent young hero who dons a paper admiral’s hat to lead his fellows in pranks and boisterous behaviour. I haven’t been able to trace the identities of any of the other boys in these exuberant scenes, but I wonder whether they were real cadets studying at the College who were given special permission to have a bit of fun at the request of the visiting film crew?
Osborne Naval College closed in 1921, but some of the buildings are still there, including the gatehouse and the Petty Officers’ Quarters, now converted to an English Heritage shop and restaurant.
When Elvey was filming scenes at the Naval College in the summer of 1918, parts of Osborne House were being used as an officers’ convalescent home. In the Elvey film, there are some scenes of Nelson visiting convalescent sailors after battle, and I have a feeling that these scenes were also taken at Osborne. Other parts of the House were open to the public for guided tours. I don’t know if Elvey took the time to visit, but I like to think that he did.
It was very satisfying to take the finished quilt top to Osborne. It felt like the completion of a circle that started in June 2014 when, while reading about Maurice Elvey using the Royal Naval College as a Nelson film location, I asked myself what seemed like an idle question: “What would Nelson look like as a quilt?”