Back in August, I was commissioned to make a small quilt inspired by Alfred Hitchcock’s 1926 film, The Lodger. Being a bit of a fan of its star, Ivor Novello, I was happy to agree, and in my earlier post, Stitching with Ivor Novello, I wrote about how some of my lettered quilts are inspired by silent film intertitles.
The quilt was finished, packed up and delivered to its new owner in September. Now, if you make things, it is always interesting to see what happens to them once they are passed on. Walking into someone’s home and seeing your quilt, or picture, or ornament in its new setting is one of the pleasures of making.
The Lodger quilt was commissioned by Nathalie Morris, the brains behind the delicious Food on Film blog, and a dab hand at making Alfred Hitchcock’s Quiche Lorraine. Nathalie got in touch with me yesterday to say that she had arranged for The Lodger quilt to be framed. She sent me a lovely photograph of it, and here it is:
“The Lodger” Quilt framed
Nelson – 1,000 squares
This week, I reached a significant milestone with the Nelson Quilt. The thousandth square (in a shade of reddish-brown) was sewn in.
Pausing to take stock, I realise that sewing together these thousand one inch squares has involved around eighty thousand stitches (all by hand); four snapped needles; two colours found to be wrong, resulting in many squares being unpicked and replaced; various train journeys (to Portsmouth, Rochester, Hassocks, Manchester and Birmingham) all spent sewing feverishly; a stitching session on Ventnor Beach on the Isle of Wight; and approximately one hundred and forty hours’ work.
The Nelson Quilt on Ventnor Beach
What else have I done during those one hundred and forty hours apart from sew and cut?
I dislike stitching in silence so I get through a lot of audiobooks. I usually have more than one on the go at any one time, and dip in and out according to mood. The listening menu for the first thousand squares of the Nelson Quilt has been:
A biography of Nelson himself by Victoria Carolan, read by Joy Gelardi.
David Copperfield by Charles Dickens, brilliantly read by Nicholas Boulton.
Anton Lesser, a favourite narrator, reading a number of C J Sansom’s Shardlake mysteries.
Georgette Heyer’s The Unknown Ajax read by Daniel Philpott.
A BBC dramatisation of The Swish of the Curtain by Pamela Brown – a fondly remembered childhood pleasure.
Another BBC dramatisation – P G Wodehouse’s Right Ho, Jeeves.
The Daughter of Time by Josephine Tey read by Derek Jacobi.
Two books by Hilary Mantel, her memoir Giving Up the Ghost read by Jane Wymark, and the best reading of all – Simon Slater narrating Wolf Hall.
Audiobooks are a great hand sewing accompaniment. I’ve got two thousand two hundred squares to go – and a whole set of novels by Charles Dickens to listen to. A perfect activity for the winter evenings!
Nelson from the back – 1,000 squares